Alfonso Alzamora
      Frans Bianchi
      Lux Buurman
      Paul Ceulemans
      Jesus Curia
      Monica van Dael
      Guus van Eck
      Mickey Eskimo
      Marijke Gemessy
      Marti de Greef
      Gustavo Diaz Sosa
      Gerard 't Hart
      Huang Yao-Tang
      Ger Jansen
      Daphne Jansen
      Jos van den Berg
      Thomas Junghans
      Lieuwe Kingma
      Kim Kroes
      Jacqueline van der Laan
      Nicolas Lavarenne
      Jeanette Lotz
      Marcella Maltha
      Laurent Martin
      Arthur Meijer
      Adriana Meijer
      Helma Michiels
      Francois Millon
      Jacinto Moros
      Berenice Noordam
      Norbert André de la Porte
      Volkert Olij
      Ab van Overdam
      Jan Pater
      Glenn Priester
      Annemieke van Rosmalen
      Cees van Rutten
      Mike Schuijt
      Albert in 't Veld
      Paul Wiggers
      Feng Zhongyun
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Feng Zhongyun

'When a painter wants to express the way to live a simple life, he will paint grass. Grass seems weak, but it can survive anything - wind, fire and storms that might crush or destroy something made by humans can not destroy grass. it will bend or quickly grow back."

China's difficult history in modern times has been no secret. In 1967 Feng was born in a Beijing hutong. His childhood was not an easy one and like many of his fellow students at CAFA (Central Academy of Fine Arts Beijing) his familiy struggled during the cultural revolution and the time after. At an early age his dream was to become an artist. His time at CAFA was a happy one untill his life turned up side down again during the student protests at Tian'anmen square. For several years he worked as a succesfull interior designer, but one day decided to follow his spiritual path, left for the mountains of Shandong and built a temple. He never stopped painting. Recognised as a well established artist he was selected to be the first contemporary ink wash painter to exhibit in 2006 in 798 Art District invited by XYZ art-gallery. Feng's life experiences are echoed in his works. His spiritual practices seem to have brought him to a personal and artistic place in which the beauty and gentleness of life is not obliterated by the harsher aspects of human experience. Feng isn't moved by the excessive visual impact of much contemporary art, due to jarring or lacking spiritual grace. By changing the composition to reduce the visual impact, Feng's work activates a modern vibrancy and intensity that is blanded with a more traditional wisdom and depth. The result is contemporary, but serene. He adepts traditional Chinese elements of nature in his paintings like birds, horses etc. He is also well known for his Peking Opera series.

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